The name of the hotel escapes me – such was its impression on us – but what I do remember, is that it was located very close to Piazza del Duomo. A fantastic location, BUT we also stayed when a morning market was held and which started being set up at about 2am. The shouting and noise of trolleys being pulled to and fro over cobbles was just unbelievable. So bad, that we requested a room change, so lost our view of the Duomo but did manage to get some sleep – as the market seemed to be a regular occurrence. So, there you go – you may want a room with a view in Florence, but unless your room has super sound proofing, you’ll also get a room with lots of noise.
However, even with little sleep, you can’t fail but to be completely blown away by the pink and green marble duomo. Inside it is beautiful, but sometimes you can be a bit overwhelmed with the interiors of Italian churches and cathedrals – I know that I always miss so much, and it’s only when i read up on something afterwards, I wish I’d either taken more notice or known before what treasures could be viewed. With Florence, I kind of felt the same way with the interior, but the exterior could definitely not be ignored.
Formally the Cattedrale di Santa Maria del Fiore, the Cathedral of Florence was begun in 1296 in a Gothic style, and was structurally completed by 1436, with the dome engineered by Filippo Brunelleschi.
The famous Baptistery bronze doors, known as The Gates of Paradise, in front of the cathedral were actually made by the winner of a citywide competition in 1401. Before the dome itself was constructed, a committee in Florence held a competition to decorate the east doors of the baptistery, giving each contestant the same materials and amount of bronze, allowing them to submit their ideas within the guidelines. The two finalists were young 23-year-olds Fillippo Brunelleschi and Lorenzo Ghiberti, who were both trained metalworkers and goldsmiths. Ultimately, Ghiberti won, due to the judges favouring his classical style. Michelangelo commented that the doors seemed like the gates of paradise, thereby giving them the name by which they are now known.
Obviously, a highlight of any Florence visit, has got to be the Statue of David. The original sculpture is in the Accademia Gallery of Florence, with the second copy of the David being ocated in Piazza della Signoria (Duomo Square), just opposite the Palazzo Vecchio. Of course, not having done my homework properly, I was quite surprised to see David in the square, open to the elements. Until I realised that to see the real thing, we needed to get our early morning slot booked at the Accademia. Which we did – and once again, we were utterly blown away by the statue.
After the Duomo and Accademia, on such a short visit to Florence, we were a bit over-full of art, but still wanted to experience the Uffizi Galleries. However, when we got there, we couldn’t face another gallery, and so experienced it from the outside – still mightily impressive!
The late October weather did take a turn for the worse and we had drizzle and fog, meaning that shots of the famous red tiled roofs, weren’t quite as vibrant as they could have been. Definitely, another reason to return.