the redipuglia war memorial

the redipuglia war memorial

Redipuglia is a pretty unremarkable Italian town, on the road out from Trieste. We usually pass through it on our way to IKEA. It’s one of those Italian towns where the houses sit alongside the road – it always seems as if everyone lives on the roadside, as detached houses, usually with the shutters closed to keep the heat out in the summer and in, in the winter, string out along the road. Every now and again, there’ll be a bar or a store. But nothing much really to write home about. Until you are just about to leave Redipuglia, and you are greeted with the most astonishing sight. Rising up from the road, a stepped monument, topped with three huge crosses.The Memorial of Redipuglia, Italy’s largest memorial dedicated to the soldiers who fell in the Great War. Locally referred to as Sacrario Militare di Redipuglia, is the largest war memorial in Italy and also among the most significant war shrines in the entire world.

Built on the slopes of Mt. Sei Busi and designed by architect Giovanni Greppi and sculptor Giannino Castiglioni, it was opened on 18th September 1938 after ten years of construction. This massive monument, also known as Memorial of the Hundred Thousands, accommodates the remains of 100,187 soldiers who fell in battle in the surrounding areas, some of them having been initially buried on Colle Sant’Elia nearby. Strongly advocated by the fascist regime, this monument intended to celebrate the sacrifice of the fallen soldiers. It is structured on three levels, symbolising the army descending from the sky, led by its Commander towards the Path of Heroes. On the top, the three crosses evoke Mt. Golgotha and the crucifixion of Christ.

Twenty two large steps (2.5m high,12m wide) rise up from the foot of the memorial, containing the remains of 39,857 identified soldiers in alphabetical order. The word “PRESENTE” is engraved hundreds of times along the stone steps as if to call the dead back to life. A reminder of when soldiers used to remember their fallen comrades with a final roll calling ceremony and answering on their behalf. In the centre of the first large step, you can find the niche of the only woman buried here, a nurse named Margherita Kaiser Parodi Orlando. At the end of the lateral stairs and the large steps, two large tombs covered with bronze plates contain the remains of over 60 thousand unknown soldiers. Past them, you can reach the top of the memorial and visit a small chapel which houses a “Deposition” and the panels of the Stations of the Cross by sculptor Castiglioni. Three bronze crosses stand above the chapel.

In the rear of the last large step there are two museum rooms, with pictures of the first Memorial of Redipuglia, documents, war relics and paintings by Ciotti that used to decorate the tomb of the Duke of Aosta, originally located in the chapel on the top of St. Elias Hill. There are many personal artefacts, housed in glass cabinets, which really convey the sense of horror of the losses. Pocket watches, rings, spectacles, medals, shoes, photographs, hand written notes. All belonging to someone, now long buried.

The memorial and museum rooms are free to visit and is open to the public 24 hours a day. If you don’t fancy the climb from the bottom – and it’s not overly arduous, I promise you – there is a car park at the top of the site. It’s not very clearly marked and you do need to cross the train track, but it does cut out a lot of walking if your main aim is to get to the top quickly. I’m really pleased that we finally took the time to actually stop here, and not just drive past. A very sobering and evocative tribute to the many fallen in the war.

 

venice : italy : december 22

venice : italy : december 22

The last couple of years have been a bit crazy, haven’t they? Travel, in the early days, was for very obvious reasons much curtailed and so for a long time we didn’t get to see family and friends in person. Thank goodness that we do live in an age, though, where communication is easy and we’ve spent much time catching up with people via calls and on online. But, this year, things have started to get back to something resembling normality and we spent almost a whole summer with our family who came out to visit us. We’ve also started doing a bit of travelling again ourselves, mainly to Italy because it’s now so close, so again things are starting to feel a little more like they were pre-2020.

Just recently, we were very lucky to be able to drive across to Venice and meet up with Didsbury friends, who had decided to come over for a long weekend. The original plan had been for them to visit us, in Istria, but winter flights just weren’t working out for the small window they had for travel, so Venice was agreed as they could get flights and we could travel across, easily. And, it doesn’t matter how many times we visit Venice, we are always in awe of its staggering beauty – and the fact that it’s somewhere that is now so accessible. If we travel on the motorway, it’s just under two hours, but the more leisurely SS14, across the flat Veneto, is a much less stressful option, although a bit longer.

Through AirBnb, we booked an apartment for two nights, in the Dorsoduro area of the city, right on canalside. In the summer this must be a prime apartment, with two large baclonies with seating/sunbathing and dining areas – premium space I’d expect in this part of Venice. For the four of us, it was pretty perfect in early December, too. Large, two big bedrooms and two bathrooms and a spacious living room, with an area for dining and an open plan kitchen. As it rained heavily on one night we were there, we decided to eat in, and it was a great place to spend a night with friends.

Images : Booking.com

Images : Booking.com

Dorsoduro isn’t an area that we know too well, so it was good to discover more of Venice. It’s located very close to the big Marco Polo car park, so easy to get your bearings – although as with anywhere in this magical city, half of the thrill of exploring is to just walk and wander and get lost at times, knowing that at some point, you’ll come across somewhere or something familiar. The weather wasn’t the best – grey, misty and drizzly – but having visited during the Aqua Alta in 2018, we found sight-seeing this time, to be a bit of a breeze…

Our apartment was located very close to Campo Santa Margherita and we found a lovely osteria called Bakarò. Looking nothing really from the outside, once inside, you realise quite how beautiful it is.

Image credit : https://www.bakarovenezia.com/

Image credit : https://www.bakarovenezia.com/

Raw and industrial in places, you’re left in doubt this is an old building – and it wears its history on its sleeve. Exposed brickwork, steel beams, old windows which would have been on an upper floor, but because the floors have been removed, the windows seem to float. The lighting is muted and very atmospheric and perfect for a rainy December evening, when all you want to do is cosy up and eat fabulous food. Which is just what we did…

 

maison matilda : treviso : italy

maison matilda : treviso : italy

Being less than 40kms from Venice, Treviso has been overlooked by us in the past. Although we have been before, we always opt for Venice because, you know – it’s Venice. But on our last recent Venetian road trip, we put this right and added a final night in Treviso – and boy, are we glad we did, as we discovered the exquisite Maison Matilda. Tucked away, under ancient arches on a cobbled street just off Piazza Duomo, you could walk past this beauty, without even knowing. In fact, we did. But, once inside, the restored townhouse is just a feast for the eyes. The reception area is discreetly positioned to the rear of the entrance, so you do feel as if you are stepping into a beautiful home, with a gorgeous Farrow and Ball type palette of colours and thick, opulent, velvet drapes. Up the first flight of stairs, and the space opens up into two elegant areas – one for dining, the other for relaxing.

Breakfast is a very lesiurely affair. We were the only guests in the dining room, other guests having eaten earlier and left, so again, it felt like a very private affair. Breakfast consisted of the freshest ingredients, either made in-house or brought in from very local shops and producers. Freshly baked bread, a selection of croissants and pastries, ham and cheese, fruit salad and the most delicious natural yoghurt, omelette, and a very mouth-watering cake, recommended by the owner. Crockery and cutlery were all exquisite, too. Mis-matched, but in a matching kind of way. All delicate and so, so pretty. Breakfast at Maison Matilda, is how I think, all breakfasts should be…

Retaining much of its historical architecture, this is a traditional townhouse with contemporary interior-design, meaning that modern furnishings contrast with period details. It has five rooms and one suite, and all are all unique. Our room was on the second floor, up a grand staircase, under a huge crystal chandelier and behind a hidden door (as they all seemed to be) in the wall, making this boutique hotel even more of a well kept secret.

Our double room was spacious and well equipped with a big bed (with lovely bedding), a mini bar, coffee machine and TV with Netflix. The decor was dark and moody – which could obviously be lightened up with lamps – but it seemed perfect for a cold, rainy December evening. Unlike most hotel rooms, where bathrooms are small and boxy and pretty much all of a muchness, this bathroom was large. With underfloor heating and a free standing bath, plus unusual toiletries and gorgeous towels, this room was a real treat. Nothing quite as relaxing as deep, hot bath and a couple glasses of Prosecco.

All in all, our stay at Maison Matilda was fabulous. We’ve stayed in Treviso a couple of times before, in really great accommodation, but this little boutique hotel will now always be our go-to if there is availability. For the price point (we paid just under €150, which also included the very substantial breakfast), this is a real find, especially as it is in the heart of the city. Parking is available on the street outside – you’ll need to find a blue bay and pay – but the hotel does offer secure parking for €25 per night. We were very lucky that there was availability because it does need to be pre-booked, and although definitely not cheap, it did make everything so much easier. But, street parking, in future, wouldn’t be something which would put us off choosing Maison Matilda in future – and, there is a large public car-park, a short walk away, just outside the city walls.

We paid in full for our whole stay, via Booking.com. This is not a sponsored or paid post – just a blog to remind us of a really fabulous visit and to whole heartedly recommend it to anyone looking for a little bit of luxury, at an affordable price, in the centre of medieval Treviso. And, if you need any other convincing, it’s also highly recommended by Mr & Mrs Smith.

 

 

mandria del dottore toscano : tarsia : calabria : italy

mandria del dottore toscano : tarsia : calabria : italy

On our road trip around Italy, driving in the Calabrian south was tiring, so we needed to break the journey up from Villa San Giovanni (where you cross to & from Sicily) to Matera and so consulted our trusty oracles – a well thumbed road map and google. Tarsia seemed to be a place that was just about equi-distant, but very remote. As boutique style hotels seemed to be a bit on the sparse side, we plumped for the agriturismo option.

We found Agriturismo B&B Mandria Del Dottore Toscana through a series of internet searches – although it has to be said, finding it online is MUCH easier than finding it in reality. We got to Tarsia relatively easily, then the trail went cold. One thing we have realised is that Italian road signage, once you’re off the main roads, is pretty rubbish. Road  signs are often covered in vines/foliage, or twisted, or burned, or simply not there. After about an hour of aimless driving around, we gave up and asked for directions in a very small bar. We clearly weren’t the first to do this as a call was made and 15 minutes later, a car arrived, we followed & after many twists and turns across hilly countryside, arrived at our destination.

Mandria Del Dottore Toscano, Tarsia, Calabria

Mandria Del Dottore Toscano, Tarsia, Calabria

This was definitely a very rural location, so if you’re after a wild night of clubbing, this farmhouse won’t appeal. Set in acres of rolling hills, there is literally nothing else around you – apart from horses, olive groves and beautiful silence. We felt the need to whisper until we realised that actually no-one else was around to hear us. I think the owners clocked on that we were a little bit stressed when we arrived, and a bottle of their own wine was put out on the table in front of us, with two glasses. Very little communication as they spoke no English, and our Italian, at the time, was pretty basic – but a generous gesture is a generous gesture in whatever language.

A welcome drink. Much appreciated...

A welcome drink. Much appreciated…

The owners live on the farm, and it is a working farm. It’s rustic and rural and although not full of the most modern amenities, it’s perfect for a bit of a get-away. Most importantly, the bed was super comfortable – something that Italians do hold in high regard as we have not slept in anything other than VERY comfortable since we’ve been away. The bathroom was spotless, with a great sized shower, too. A definite plus point.

Splendid isolation, especially after the hustle & bustle of Sicily.

Splendid isolation, especially after the hustle & bustle of Sicily.

An abundance of prickly pears.

An abundance of prickly pears.

Winter preparation well under way.

Winter preparation well under way.

Autumn sunset in Calabria

Autumn sunset in Calabria.

We could have had dinner (with everything being sourced from the land we were staying on), but as we had a kitchen in the apartment we chose to cook & eat on the terrace. We’d picked up some supplies on the way – it’s worth having some staples to cook with, as if you don’t fancy what’s on the menu that night, you’re stuck. Breakfast was very simple – bread, cheese, preserves, proscuitto – but ALL locally sourced.

There are four apartments. We think we might have had the largest as it was the most expensive, and had a terrace, but it was still only 68 euros to stay the night – worth every cent for the solitude and peace. There is also a swimming pool – although this had just been covered up when we arrived (mid-October), but would imagine this is a welcome relief from the Italian sun in the height of summer…

 

 

 

 

vatican museums : rome : italy

vatican museums : rome : italy

The Vatican Museums are the public museums of the Vatican City, displaying works of art amassed by the Catholic Church and papacy throughout the centuries, including several of the most renowned Roman sculptures and some of the most important Renaissance artwork in the world. There are 24 galleries in total, with the Sistine Chapel, being the last room visited within the Museum. We booked our tickets online, having read about the queues which can develop, and this proved to be a very good thing to do. Although you do still need to queue to collect the actual tickets – and don’t forget ID to prove who you are – it’s a whole lot quicker than joining the snaking queue around the building. It’s important to know that the following items of clothing are NOT allowed – shorts, short skirts and sleeveless shirts. And even more important if you visit in the hotter months as you’ll need to be prepared clothing wise. All visitors must pass through airport-style security, and during high season, the wait at security may be up to 30 minutes – and this was guidance when we visited a few years ago, so it may be even longer now. I guess, the rule of thumb is, if you want to visit the Vatican Museums is be organised and get online to make a booking.

So, is it worth it?

Yes, yes, yes, absolutely, yes. It’s a long day – because to even touch the sides, you need to set aside a day. You definitely won’t see everything, although you will probably go through all of the galleries, to get to the end goal. The Sistine Chapel. More of which later.

If you specifically want to visit the Gardens, then make sure you buy a ticket which includes this, as not all do. Ours didn’t, but I don’t think we missed out, as doing the gardens as well, would probably have been totally overwhelming. We started in the Cortile della Pigna (Pine Cone Courtyard), where the bronze Sphere within a Sphere – Sfera con Sfera – sits. Created by Italian sculptor Arnaldo Pomodoro, its meaning isn’t clear, but consensus seems to be that it can be read as a symbol of the emergence of a new world from the old. I don’t think you are supposed to touch it, let alone spin it, but we did see a number of tourists giving it a whirl. And very impressive it was, too…

From the Cortile della Pigna, you begin the tour of the galleries. Be prepared – selfie sticks seem to still be a big thing, so watch where you’re going! The galleries are a bit of an onslaught, visually, so you will definitely miss a lot. Depending on your interests, some will be much more interesting than others, but even the ones that you take a quicker pace through, are dazzling and exhausting in equal measure. I have no idea of the names of the vast majority of the galleries, but I do know that I definitely wanted to see the only painting by Caravaggio in the Vatican Museums – The Deposition of Christ – in the Vatican Pinacoteca, and the Gallery of Maps. Two things ticked off my bucket list. So, what did we see?

Greek demigod Perseus holding the head of Medusa, by Antonio Canova

Greek demigod Perseus holding the head of Medusa, by Antonio Canova

The boxer Damosseno, by Antonio Canova

The marble sculpture of the boxer Damosseno, by Antonio Canova

Statue of a Roman holding a scroll.

Statue of a Roman holding a scroll.

Roman mosaic floor : Vatican Museum

Roman mosaic floor : Vatican Museum

Ceiling frescoes : Vatican Museum

Ceiling frescoes : Vatican Museum

Sala della Rotondo & its Roman mosaic floor : Vatican Museum

Sala della Rotondo & its Roman mosaic floor : Vatican Museum

Vatican Museum Ceiling : Virgin Mary, Angels and the Holy Spirit

Vatican Museum Ceiling : Virgin Mary, Angels and the Holy Spirit

Child strangling a goose sculpture : Vatican Museum

Child (apparently) strangling a goose sculpture : Vatican Museum

The Resurrection of Christ by Raphael Sanzio, in the Gallery of the Tapestries

The Resurrection of Christ by Raphael Sanzio, in the Gallery of the Tapestries

Italy : Gallery of Maps, Vatican Museum

Italy : Gallery of Maps, Vatican Museum

The Martyrs of Gorkum by Cesare Fracassini

The Martyrs of Gorkum by Cesare Fracassini

Too much to take in, in one room...

Too much to take in, in one room…

The Room of the Popes : Vatican Museum

The Room of the Popes : Vatican Museum

Out of everything we saw in the museum, the ceiling above is one of the things I remember most. If you are fascinated by the history of The Borgias, then this part of the museums might interest you, as its only the Borgias’ Apartments! Imagine that! The ceiling above is in The Room of the Popes and owes its name to the scrolls with the names of popes on them in the room. It is the largest of all the rooms and the pope used it to host official ceremonies, audiences, and solemn banquets.

Image : https://www.museivaticani.va

Image : https://www.museivaticani.va

So, above, the one I wanted to see – and I was so taken by it, that I completely forgot to take any photographs so this is one is credited, in the caption. The Deposition of Christ, painted in 1603, by Michelangelo Merisi da Caravaggio. I have no background in art and am not an artist, in any way. But I have always been intrigued by historical figures who led lives that were full of danger and intrigue – and immense talent. So, although I couldn’t appreciate Caravaggio’s work as an art historian might, his life is more than enough to intrigue me and make me interested in his art…

…with his unruly black curls and unkempt black beard, the artist was known to wander the streets of Rome dressed in black, accompanied by his black dog, Crow (the bird-harbinger of death), and brandishing swords and daggers at the slightest provocation.

He and his motley group of friends took as their motto – “without hope, without fear,” – and these were the words they lived by. Caravaggio had a police record many pages long filled with stories of assault, illegal weapons, harassing the police and complex affairs with prostitutes and courtesans. Caravaggio’s numerous legal problems often meant that the artist would suddenly have to flee Rome or be otherwise unable to complete a commission. Caravaggio’s brawling, trouble-making tendencies reached a whole new level on the 28th of May, 1606. On this date, following a disputed tennis match, Caravaggio and his friends were involved in a street brawl with Caravaggio’s young foe Ranuccio Tomassoni and his gang.

Caravaggio ended up dealing the young Tomassoni a fatal stab wound in the groin. With a price on his head, Caravaggio was forced to flee Rome for the last time. The artist’s last years were spent desperately running from one city to another, all the while trying to get a papal pardon to be able to return to Rome. After stopping by Naples, he travelled to Malta to try to gain the influence of the Grand Master of the Knights Hospitaller of St. John, Alof de Wignacourt. The Knights were so pleased with the works the artist executed while on the island that he was accepted into the Order, only to get into trouble after yet another brawl. Caravaggio was imprisoned by the Knights in August 1608 and later expelled from the Order “as a foul and rotten member.”

The artist escaped once again and was back on the run. During this period, an unknown assailant attempted to murder Caravaggio during his sleep, only succeeding in disfiguring his face. Contemporaries described the artist as a madman during this time, exhibiting increasingly strange behavior such as sleeping fully clothed and armed and exploding into a violent rage at the slightest provocation. The artist desperately continued working, sending paintings to influential figures like Cardinal Borghese and Alof de Wignacourt in order to secure their influence to procure his pardon. Finally, in 1610, Pope Paul V began the process of granting Caravaggio’s pardon and the artist boarded a boat to return home to Rome. He was never to return, however: Caravaggio died under unknown circumstances around the 18th of July, 1610, after only a decade-long career. His body was never recovered….

Last stop on our whistle-stop tour of the Vatican Museums, was obviously The Sistine Chapel. Having heard all of the myths and stories about visiting here, I was prepared to be blown away. And, prepared to not take any photographs, of course. But, all I was left with was a feeling of total disappointment and being underwhelmed.

The Sistine Chapel. Image credit : www.theromanguy.com

The Sistine Chapel. Image credit : www.theromanguy.com

Perhaps I should have read this brilliant article first, but I didn’t, and so my experience was one of being rushed through a massive crowds, with security guards barking instructions from raised platforms. It was horrible. There was no sense of awe or serenity. It was like a cattle market – and if prods had been available, those guards would definitely have used them. It was so crowded that there was literally no point in looking up, to see the ceiling, as you’d have been knocked off your feet if you stopped. Other visitors were really, really frustrated and there was a general sense that we just had to get through as quickly as possible, to allow the next crowd in. I’m going to have to do it again, but I honestly think that next time, I’d opt for one of the small guided tours, as explained here. Well worth the extra expense, I’d say, to get up close to the art. And, not be shouted at by security.

If there’s one way to exit the museums, it’s via the famous Bramante Stairs. These really are a spectacle and rather than leaving on a disappointed downer after the Sistine Chapel, this staircase was a bit of treat.

Image credit : www.romeprivateguides.com

Image credit : www.romeprivateguides.com

Top Tips

So, our top tips for visiting the Vatican Museums :

  • Book online
  • Don’t forget your passport or ID
  • Wear trainers
  • Have a phone charging pack so you can recharge for all of those photos you’ll want to take
  • Be prepared to be pushed through the Sistine Chapel – OR, book a guided tour
  • Don’t expect to take it all in – there’ll be so much you’ll see online afterwards that you weren’t even aware of as you walked around
  • It’s a good few hours to do all of the museums, so set aside a day
  • Have a glass (or two) of refreshing Italian wine after it all…

puglia : italy

puglia : italy

Living now in Istria, the tiny heart shaped peninsula, right up in the north of Croatia – bordering Slovenia, close to Trieste and across the Adriatic from Venice – we are very lucky that we can now travel to Italy very easily. Muggia is our closest Italian town, and we can be there in about half an hour, taking the coastal route along what’s called the Slovenian Riviera. Previously, when we lived back in Manchester, Italy was a flight away, and certainly not somewhere we’d have considered driving to. But, we did drive around Italy, on a road trip in 2013 and this cemented our love of this country. And, nowhere more so than in the south, an area undiscovered by us previously. The furthest south we had been before had been Naples and Pompeii and we’d not ventured over to the other side of the heel of Italy. But, in late summer/early autumn of 2013, our adventure took us over to the Apulia region and we found our love of this amazing country, strengthened even further.

From the beautiful coastline of the Adriatic and the bustling cities of Bari and Brindisi, to the iconic whitewashed hill towns, to the incredible architectural spectacle of Alberobello, we loved everywhere we visited. And, nearly ten years later, we’re planning a return. But for a very different reason, this time…

A tiny bay, just outside the beautiful town of Monopoli

A tiny bay, just outside the beautiful town of Monopoli

Morning stroll, the Monopoli way...

Morning stroll, the Monopoli way…

The photo, above, is a real stand out memory from our time spent in Monopoli. We were there mid-October, but it was still warm enough for people to be on the beach over the weekend, and like these two women, taking their morning stroll in the shallow waters of this Adriatic bay. It’s something we still talk about and this obviously made a real impression on us, as our thoughts do keep returning to this area.

Fishing boats : Monopoli

Fishing boats : Monopoli

Cattedrale Maria Santissima della Madia, Monopoli

Cattedrale Maria Santissima della Madia, Monopoli

Airing the bedding...

Airing the bedding…

The trulli of Alberobello

The trulli of Alberobello

Alberobello

Alberobello

Alberobello

Alberobello

Alberobello houses about 1500 trulli in its historic centre. With their circular shape, the trulli had to be built dry, without mortar, in order to allow them to be easily dismantled and reassembled and therefore avoid paying the ‘building tax‘ imposed by the Kingdom of Naples. It also is the only town whose historical centre is made up of trulli. It’s as magical as I always imagined it would be. Conical roofs – pinnacoli – are often adorned with a painted symbol. Their origin is unknown but they usually have a religious or astrological meaning, and may include planetary signs, the malocchi (evil eye), crosses, hearts and stars.

Trulli symbols...

Trulli symbols…

Many of the trulli have now been renovated and provide tourist accommodation. Some are now shops, selling traditional wares from the area, including the most gorgeous hazelnut liquer, which will definitely be on our shopping list when we return. We did stay in a trullo, but ours was about ten minutes from Alberobello, in the countryside, with amazing views down to the Adriatic. With hindsight, we’d probably not stay in a location quite as quiet, and would probably opt for somewhere like Locorotondo, Ostuni or Martina Franca. But, it was a real experience. We had a self-contained trullo, with a large living room and kitchen, a bedroom and a bathroom – and those all important pinnacoli. As well as a large terrace, there was also a swimming pool – a real bonus as I’m guessing pools are at a premium in the towns.

Trulli Pietra Preziosa

Trulli Pietra Preziosa

Trulli Pietra Preziosa

Trulli Pietra Preziosa

Traditional repair of a conical roof

Traditional repair of a conical roof

So, plans are afoot to do another road trip down to this region of Italy, but this time, with a very different purpose. Not just a nice holiday jaunt – although we’ll make sure that we do enjoy ourselves – but with a view to looking at properties. We are spending the winter focusing on the renovation of our home in Istria, and when we are happy that we have done everything that we need to do it, we will start to market it again. And, by that time, we feel that we will have done our time in beautiful Istria, and be ready – and very prepared – for our next European adventure…

sperlonga : latina : italy

sperlonga : latina : italy

We’d not previously heard of this place, but now we know about it, it’s very definitely somewhere we’d revisit next time we’re in the province of Latina. Halfway between Rome and Naples, the very pretty village, perched high on a hilltop overlooking the sea, is a welcome break from the monotonous road south from Rome. Apart from gems like Sperlonga, this coastal stretch, down the west coast towards Naples is not particularly one for sight-seeing, so finding this village was a real treat. Like a lot of Italian towns, the newer part sprawls out below, with the historical centre much higher up.

Sperlonga is a warren of narrow alleyways and steep steps that often open out onto small piazzas. If you’re a bit unsteady on your feet, or with small children, you need to be prepared for a bit of an uphill climb, but it’s worth it. It’s more of a very large village, than a town, but has all of the essential ingredients of an archetypal Italian town – churches, pealing bells, small but upmarket boutiques (Sperlonga is a getaway for Romans…), very chic restaurants & bars, and stunning cliff top views of the (very well regimented) beach & sea, far below. There’s a small port which we took a stroll down to – think Monaco in miniature! There were serious boats moored up, as well as the odd speedboat zipping around the coast. All very nice!

We visited in late September – it was still very warm (air con was needed), but not stifling. The beach was beautiful – long, expansive and like I said before, very well regimented. But that’s generally Italian beaches for you. I’m not sure how I’d like Sperlonga in the height of summer and I imagine it would be very hot and very packed, but it’s a definitely a place to visit if you like history, beauty & out-of-season visits.

A friend recommended a hotel – Hotel Corallo – and we were so impressed by it, that we’d definitely recommend it ourselves. For just over 80 euros, we had a very large double room, with a large en-suite bathroom and a small balcony. Our lack of sea view (obscured by beautiful medieval buildings), was made up for by a stunning view of the sunset. Breakfast was included – if you’re not a sweet-tooth you may struggle with breakfast here, as it was a bit of a saccharine overload, but the coffee was very, very good.

Cake, cake and more cake, for breakfast...

Cake, cake and more cake, for breakfast…

Our stay in Sperlonga was short – an afternoon and an overnight stay, but because we were based in the old town, it was sufficient time to get ourselves familiar with it. It really is a beautiful hilltop town, close to Rome and it definitely does break up that very monotonous SS7 road down the west coast. And, soon, we were back in the car, leaving Sperlonga and back on that road, heading south, on the next part of our Italian road trip.

cagliari : sardinia : italy

cagliari : sardinia : italy

Cagliari is a city like no other Italian city we have visited. It’s a port city, and it wears its history on its sleeve. Everywhere you go you come across traces of its rich past, from ancient Roman ruins, to museums filled with prehistoric artefacts, to centuries-old churches and and elegant palazzi. It is located on the Bay of the Angels (Golfo degli Angeli) and, like Rome, it was built on seven hills, which identify the historic neighbourhoods of the city. The port area is busy, busy, busy – the main road runs along the sea front and cars and buses and vespas and motorbikes whizz past, so you need to be on your toes. Once on the city side though, it reveals itself as a beautifully elegant place, with imposing, honey coloured buildings, with elaborate balconies and shuttered windows, facing the sea. Wide tree-lined boulevards are packed with cafes and bars, and people catching up, eating, drinking and generally making life look pretty wonderful!

We stayed in an apartment, up the hill from the sea, but still “downtown”, on the beautiful Piazza Yenne. The piazza is bordered by bars and restaurants at ground level, and is lively. But, look up, and you see those beautiful buildings with balconies and railings and shutters. Our apartment was on the top floor of one of these buildings and have been exquisitely renovated – with sound-proofing, too, so we could shut out the noise when we wanted to. Piazza Yenne is the main meeting point for locals, especially during the hot summer nights. People gather here to have a chat before moving on; to sit in the terraces of the many cafes and bars, or simply, to passeggiata. Over the course of two visits to Cagliari we were there for four days in total, and so managed to get out and about and explore quite a lot of the whole city. It’s magical. It’s beautiful. It’s raw and feels real, the kind of city you could actually imagine living in.

You can either climb up to the upper town, or take a glass street elevator (at the top of Piazza Yenne) – whichever you prefer, just do it, because the upper part of town is even more beautiful and the views even more spectacular. It’s also not quite a crowded and busy, so you can feel a little more as if you have bits of the city to yourself, even in the height of summer.

 

 

ca’ amadi : venice : italy

ca’ amadi : venice : italy

One of the joys of staying in Venice, is trawling the internet beforehand, to find where you are going to stay. We’ve stayed in apartments and hotels, and thankfully have never had a bad experience. I do spend a lot of time reading reviews, scrutinising websites, looking a photographs, identifying the location and what’s in the vicinity. I think a bit of homework always pays off, as I’ve seen places we’ve rejected online, in reality, and for a variety of reasons, our research has always paid off.

Ca’ Amadi is a hotel we’ve stayed in twice, and on both occasions, have loved it. It’s initially quite tricky to find, because it’s in a courtyard, off an alley, off a road, but perseverance pays off. Google Maps, in the centre of Venice is a bit hit and miss, but it’s not too far from the Rialto Bridge and so if you keep this as your main bearing point, you’ll eventually find Ca’ Amadi, On our first visit, it was clearly in the early stages of a renovation, as scaffolding was up outside and on the second visit, interior work was happening. From checking out the website recently, it’s clear the renovations have been completed because it’s now even more beautiful than when we stayed. It’s a very authentic Venetian residence, once home to the family of Marco Polo, no less. As stated on the website…

This small boutique hotel is housed in the noble floor of a palace dated 13th century and still preserves many traces of its long history. Entering the hotel, you’ll be welcomed in a large salon with ancient wooden ceilings, facing on one side a picturesque canal and a typical Venetian court on the other. In this place, full of memories and emotions, you’ll be able to relive the splendour of the Republic of Venice and, at the same time, enjoy the most modern comforts. History, culture or just a break in the frenetic daily life: at Ca’ Amadi every traveller can find what he’s looking for.

And, if you are ever in this area of Venice, forget eating out anywhere near the Rialto Bridge – and take our advice and visit Il Milion, reputedly the oldest osteria still opertaing in Venice. With a tradition extending back more than 300 years and a location near the rear of San Giovanni Crisostomo, this restaurant is named after the book written by Marco Polo, Il Milion, describing his travels. In fact, it occupies a town house once owned by members of the explorer’s family, just like Ca’ Amadi, which is literally about thirty metres away.

At Osteria Il Milion, a simple, nine-table restaurant set in a tiny courtyard across from the home of Marco Polo near the Rialto Bridge, you will find some of the finest local seafood. One of the city’s oldest dining establishments, its name is derived from a story about Marco Polo, who was said to exaggerate the millions of things he had seen and the millions of miles he traveled, earning the ironic nickname, “Il Milion.” The food here, most notably the tagliolini with spider crab, risotto with scampi and zucchini, and John Dory and grilled polenta, has clean flavors that are not masked by sauces, butter, or cream. The ingredients are so fresh and intense that there is no reason to hide them. “I eat here every day,” says owner Roberto Bocus, “so it has to be good.”

And, if you take our advice and eat there, do make sure that you order the Spaghetti con le Cipolle – I promise you will never have tasted onions as sweet. We’ve eaten there a few times, and again every meal has been memorable – perhaps none more so than the Aqua Alta of 2018…

 

 

venice : italy : winter

venice : italy : winter

Winter is a gorgeous time of year to visit Venice. I’ve only been once in the summer and it was crowded. And hot. Accommodation was much more expensive and I think I just found it all a bit of a faff. So, whenever we go now, we choose to go in the colder months. You definitely can’t guarantee the weather and it’s always best to be prepared for the rain and the cold. And, as we found out in 2019, the Aqua Alta, when we experienced the worst flooding the city had known for many years. But other times, we’ve hit lucky and have had glorious sunshine and crisp weather. We even had the Carnevale when we visited in February and had totally not realised it was happening. Often though, it can be grey and cloudy, but this definitely doesn’t detract from the beauty of this city, and when the clouds break, and the wintery sunshine comes through, well – you just can’t beat Venice…

December is lovely, too, because the city is gearing for up for Christmas, and I can’t think of many places I’d rather be as the huge tree is lit up in St Mark’s Square, and the lights start to twinkle across the city.

We keep returning to Venice because it’s now very accessible from where we live in northern Istria, and because however many times we go, we obviously always discover new areas and new sights to discover. New restaurants and bars, and new hotels and apartments. It’s a city we will keep returning to, and imagining when we are there, that we are residents…